Remaining Frontier and Acer Blast Off with Intergalactic Battle Epic

Shanghai-based manufacturing firm Remaining Frontier has simply delivered a brand new VFX-driven spot selling Acer’s Predator vary of gaming hardware, accomplished in collaboration with We Are Social Shanghai and directed by directed by Paulo Garcia and Zombie Studio.

Integrating some live-action footage with in depth CG animation and visible results, the fast-paced story consists of digital warriors, three varieties of lava monsters and a substantial quantity of high-tech swordplay. The idea wanted to particularly promote the Predator vary’s distinctive heat-battling expertise, tackling a typical drawback for hardcore avid gamers.  To that finish, Remaining Frontier government producer Gus Karam labored alongside We Are Social from the outset to form the storyline.


Amid the human race’s colonization of the galaxy, in one of many darkest, most wretched recesses of the universe, planet ZB-02 has been ravaged and occupied by the vile alien race, the Go’Re.  Made of fireplace and sustained by molten warmth, the Go’Re journey from planet to planet, purging the land and drilling into the planet’s core to launch the searing temperatures that nourish them, indiscriminately slaughtering something they encounter alongside the best way.  After centuries of destruction, the people resolve to reclaim ZB-02 and cleanse it of the Go`re.


Garcia and his workforce had been behind the character and world design, the 3D modelling, animation, and the visible results.  All in, the manufacturing took Four-months from conception to supply.

Explaining his ardour for the venture, he revealed, “We relished the chance to create this world and be a part of this unbelievable narrative that we people are reclaiming a colony planet. The problem was to convey the creatures and people to the display screen as realistically as doable, ensuring they might all transfer in a plausible manner, creating combat choreography, understanding how every of the lava tribe characters would transfer, assault, and the way every hero would be part of the battle in a collaborative manner to make sure victory.”

The People

The human tribe contains 5 characters, every impressed by a selected ACER pc.  Although the characters existed as 3D fashions previous to the marketing campaign, Zombie upgraded their armor and mannequin buildings.

The Go’Re 

Zombie designed the preliminary Go’re monster designs as a part of the pitch, and finally developed them into totally rigged and shaded 3D fashions.   They’re break up into three classes of warrior:

Gun’Thar (the ‘Mild Infantry’)

These monsters are ferocious warriors, with lethal blades hooked up to their wrists and legs designed for velocity, and a giant mouth to decimate their prey.  They’re quick, sturdy and cruel creatures that combat to the dying.

Gorgun (the ’Center Infantry’)

Lava runs via the veins of those large, lethal creatures, sustaining a core temperature as sizzling as a volcano. His physique is dense with pores and skin that appears like heated stone, however reacts like an natural tissue.  Not like something discovered on Earth.

Gaomuth (the ‘Tank’)

Hell itself. These creatures feed on the molten core of the planet, turning into gigantic in measurement. They dwell underground, carving lava rivers with their claws.

Garcia famous, “My favorite scene is the massive monster revelation, when Gaomuth seems like a boss.  After we see our heroes defeat him so simply, the message we’re sending concerning the Predators actually hits house.”


From the outset, Karam labored carefully with the company and director to determine feasibility for the 3D design and manufacturing course of.  “It was a unbelievable expertise working with the We Are Social workforce and Paulo whereas the idea was nonetheless within the embryonic part,” he explains. “Working collectively at that stage, it was really a partnership, during which our expertise and perception might actually assist from each a artistic and a manufacturing standpoint. It meant we might foresee the challenges forward, ensured a extremely clean course of and, most significantly, led to a spectacular end result.”

The live-action shoot passed off over sooner or later within the southern Brazilian metropolis Curitiba; Remaining Frontier leveraged its South America community to assemble the manufacturing crew. Based on Karam, “There are such a lot of advantages to capturing in Brazil and Latin America. Remaining Frontier is likely one of the few firms positioned in Asia to make such worldwide manufacturing doable, on this case connecting, China and Taiwan with South America.”

End result 

Karam, paying tribute to Garcia and the workforce at Zombie, mentioned, “Working with Paulo and Zombie was a fantastic expertise. Their impeccable course and execution ensured the ultimate piece was one thing particular.”


Company – We Are Social

Group Artistic Director – Khlauss Feldhaus
Artistic Director – Jason Breen
Group Account Director – Nathan Baker
Account Supervisor – Kristina Knut
Producer – William Yang
Consumer approval – Wolfgang Hsu

Manufacturing Firm – Remaining Frontier 

Government Producer – Gustavo Karam, Julieta Zajaczkowski, Chris Colman
Producer – Marcio Lovato
Reside Motion Government Producer – Felipe Claudino
Line Producer – Enzo Balbinot

Animation Studio – Zombie Studio

Director – Paulo Garcia
Artistic Director – Daniel Salles 
Studio Government Producer  – Natalia Gouvêa 
Producer – Antonela Castro, Leticia Harumi
Account Companies – Stefanie Dias 
Manufacturing Director – Nayla Kols 
Idea Artist – Estevão Teuber, Feppa Rodrigues, Marcelo Garcia, Anna Caiado, Marcelo Fahd 
Storyboard – Saulo Brito, Marcelo Fahd 
CG Supervisor – Yohann da Geb 
Lead Compositor – Yohann da Geb 
Composition – Gustavo Rangel Adriana Cardozo Wallan Oliveira 
Look Growth / Lighting – Claudio Junior, Thiago Peyon, Mauricio Gomes, Mauricio Alvarenga, Gustavo Rangel 
Editor – Yohann da Geb 
Colour Grading – Psycho n’ Look
T.I. – Gabriel Paixão
Modelling – Mauricio Sampaio, Danilo Gerard, Steferson Rocha, Tiago Oliveira 
Set Dressing – Tiago Oliveira 
Digital Matte Portray – Adriana Cardozo 
Rigging – Kippcase Rigging Studio 
Animation Director – Bruno Monteiro 
Animators – Conrado Testa, Francisco Catão, Michel Denis Da silva, Matheus Caetano, Rodrigo Dutra, Marcos Elias, Igor Copelli, Hanrry Pschera, Bruno Santos, Christian Weckl, Leonidas Maciel 
Technical Supervisor CGI – Wallan Oliveira
Assembler Animation – Lucas Mirkai
FX Artist – Guilherme Casagrande Marco Melantonio
CLoth Simulation – Gustavo Rangel
Crowd Simulation – Wallan Oliveira
Movement – jhony.television
Music & Sound Manufacturing – Cachorro Loco
Composer – Facundo Capece 
Sound design – Lola Richter

Supply: Remaining Frontier

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